Why I wrote the story?
Late last year I read Mary Shelley’s Frankenstein. I imagined the monster in the original story as an Indian or a Sri Lankan who had been plucked from his roots at a young age, and had grown up in Victorian England. Never quite being able to earn equal status among the natives regardless of how good his English or his mannerisms were. I thought, if someone like that was supernaturally favoured, how would that bygone society react? I doubted it would have put their way of living on hold just to accommodate a foreigner (regardless of how much he proclaimed he was a native). I imagined they would have vilified him, oppressed him and cast him out.
I abstracted two central social issues from the original story,
- The importance and the complexity of helping individuals stuck in-between cultures.
- The existence of exceptional situations where an individual's reproductive justice needs to be looked at as social justice, or as a basic good as described in the natural law theory [1].
As a lower middle class citizen who was affected by the socio-economic impact of incidents such as the easter bombings (2019), the pandemic (2019 - 2022), and the economic crisis (2022 -2024) that left over 25% of the country's population below the poverty line [2]; I could easily relate to men who would have wanted to start a family during the past 5-6 years, but couldn’t because of financial constraints. I thought if there were millions who were socially and financially affected, couldn’t there be at least one exceptional situation that was not unlike the situation Frankenstein’s monster faced? I thought it would make a good premise for an original retelling.
Though I’m fortunate in many ways; I was also motivated by the need to share my own opinions on structural injustice men with similar backgrounds as I do face, while we're going through it, as opposed to talking about it later. The Sri Lankan diaspora is often accused of this offence by the some who claim they never said anything while they were here.
What is the book is about?
The book explores the relationship between oppression and men’s reproductive justice. How poverty, and marginalization leaves some men powerless against defamation, and sexual coercion that leads to reproductive injustice, exploitation, mental abuse and physical abuse. The story does this using the main Frankenstein plot, where the monster is a Sri Lankan, and other sub-plots built around characters in a fictional slum in Maradana.
According to the Mariam Webster’s definition, feminism is about opposing inequality that’s based on gender, that it’s not limited to women. [3] The story is pro-feminist because it’s against inequality a large segment of men face because of their gender identity. It also explores intersectionality of the causes of inequity through examples.
What was the publishing process like?
I started with the general idea of the story in December, 2024 and worked on it over the Christmas holidays and the weekends over the next couple of months.
As I was working on a low budget, I couldn’t justify paid editorial or copywriting support, and being a novice to the Sri Lankan literary scene, I couldn’t secure unpaid support. But I did manage to get valuable feedback on the story, and the end-product through unintentional involuntary beta testers. The feedback was incorporated and the first edition of the book was finally sent out for print a few days ago.
Where can you buy a copy?
[1] - https://youtu.be/r_UfYY7aWKo?si=YG3MnXqDTZgeNDeh
[3] - https://www.merriam-webster.com/dictionary/feminism
[4] -https://barefootceylon.com/collections/bookshop